The browser as an exhibition space and an editorial medium.

Contribution
Concept, art direction, writing, editorial design, and development.
Current work
Two independent digital publications.
Approach
Each work keeps its own identity inside a shared viewing stage.
Web Exhibition’s typographic entrance and architectural composition.
The running exhibition entrance. The composition is site architecture, not a third collection work.

The Unpublished

An independently developed editorial publication about media, power, and the conditions of information. Its first issue contains my critical essay The Machinery of Silence, drawing on published evidence and documentary analysis. It is not an externally commissioned newsroom.

The Unpublished displayed inside the exhibition viewing stage.
The magazine is a readable website within the exhibition, with a direct independent-open option.

EDITORIAL

A black-and-white publication featuring my personal essay Kuwait, With Love. EDITORIAL remains the working publication name. The design explores how typography, scale, whitespace, and composition can convey warmth and cultural intimacy without relying on color.

EDITORIAL and the Kuwait, With Love essay shown inside the exhibition stage.
The separate black-and-white publication, captured in the same viewing stage.

Navigation as part of the work

Visitors read vertically inside a publication and move horizontally between works using the visible Previous and Next controls. Each website can also open independently. Frames stay mounted when switching works so a reader can return to the same document.

Implementation and boundaries

A shared registry controls the collection, with meaningful iframe titles, deferred frame creation, explicit loading states, and a return to the entrance. Embedded documents are separate browsing contexts; their own links and reading navigation remain part of the experience. Mobile and assistive-technology behavior still need physical-device validation.